The construction
The temple is built into a large rock outcrop & consists of three small connected chambers: the first two-the digge & antechamber - are built outside the rock & topped by wooden roofs. The third chamber, the main shrine, is cut into the rock itself.
The digge has a few old wooden pillars & a couple of drums hanging from the rafters; it's unusual in that it's directly attached to the rest of the temple, rather than occupying a separate pavilion as is usually the case.
Old wooden doors under a Makara Torana (Dragon Arch) lead into the antechamber, which preserves a fine moonstone & a sequence of paintings showing scenes from the Jataka stories (stories from the 550 previous births of Buddha), painted in five vivid red panels.
The doors leading from here into the main shrine have metal fittings which were formerly studded with jewels. The principal image is a large reclining Buddha; the wall opposite the reclining Buddha is painted with scenes from the previous birth of Buddha together with pictures of stupas at Sri Lanka's principal pilgrimage sites.
The finest painting is on the ceiling. Buddha's battle against Mara, the demon of death & destruction: a magnificent artistic depiction of Buddha's internal spiritual battle against the temptations. These mural dates from the 1770s & 1780s. 18th century social life in the Kandyan Kingdom is reproduced in a series of highly stylized & charming wall paintings. The dress & decorations in the paintings are a consummate combination of Western & Eastern cultures reflecting the era of the Portuguese in Lanka.
